First Light
Feature in development
A scientist scans her own mind into a digital twin so she can be in two places at once — then has to trust it to make the most painful choice of her life.
THE BREAKDOWN
Approach — Trailer Built from a written script, full treatment, production breakdown, and schedule. Executed through a prompt-engineered, agentic, multi-shot workflow, with hero-design character sheets holding consistent across the film's two timelines, and 360° location work anchoring both the deep-space station and the warm domestic feel of Timeline B. Fully generated.
Approach — Feature The feature is designed as a hybrid production. Talent and immediate props captured on stage; world-building, VFX, stunts, and environments generated and integrated in comp. The trailer is the proof of concept for that pipeline at feature scale.
Why it matters A space drama whose ambition—two converging timelines, a connectome-built AI, a closed timelike curve—lives at the scale of a studio feature. The hybrid live-action / AI workflow is how that scale becomes accessible.
Tools & pipeline Comfy UI · Nano Banana · GPT Image · Luma Uni-1 · Kling 3.0 · Seedance 2.0 · Gemini Omni · LTX · Sync labs · ElevenLabs · Magnific · Nuke · Premiere Pro · DaVinci Resolve
RIVER STATIC
In a near future river city, a rebel cell ambushes what they believe is a routine militia weapons shipment. Instead, they uncover a power core meant for something far more dangerous. As a ruthless combat droid closes in, the raid turns into a fight to stop a war before it begins.
Tools & pipeline: Nano Banana, Kling 3.0, Seedance 2.0, ElevenLabs (score and lip sync), Magnific (upscaling), Premiere Pro, DaVinci Resolve.
Approach: Built from a written script and a full production breakdown—scenes, shots, characters, props—then executed through a prompt-engineered, agentic, multi-shot workflow. Character and prop consistency was held through hero-design character sheets; location consistency was solved with 360° location surveillance, area-select, and upscaling to anchor the world across every shot. Fully generated; no live action.
Why it mattered: One person. Seven days. A finished narrative short with militia, a combat droid, and a river-city war—at a scope and turnaround that would be impossible traditionally.
A TALE AS OLD AS TIME
AI spec spot for Audible. The audience is dropped into a naval battle circa 1600 as pirates storm a British ship. At the climax, the action freezes—a modern man in a headset has to take a call, to the fury of the characters he's left mid-fight. A genre-blending proof of AI-native storytelling for voice/audiobooks.
Tools & pipeline: Nano Banana, Kling 3.0, ElevenLabs (score and lip sync), Magnific (upscaling), Premiere Pro, DaVinci Resolve.
Approach: Script and full production breakdown built first, then a prompt-engineered pipeline with hero-design character sheets and 360° location work to keep the period naval battle consistent across shots. The hardest problem was tonal: cutting from extreme period action to a modern man on a headset—essentially streaming the story—and landing the genre break as a deliberate "aha" rather than a misfire. Specific prompt engineering carried that beat. Fully generated.
Why it mattered: One person, fourteen days. A genre-blending short whose entire premise—period spectacle interrupted by modern interruption—lives or dies on a tonal pivot that traditional production timelines and budgets rarely allow you to iterate toward.